Category Archives: Shooting Close to Home

Hats

Last week we explored feet and the boots that cover them. This week I’m going to the other end of the body and share with you some hats I’ve discovered over the years.

A hat is a noun and is defined as a shaped covering for the head worn for warmth, sun protection, as a fashion item, or as part of a uniform.

The concept of a broad-brimmed hat with a high crown worn by a rider on horseback can be seen as far back as the Mongolian horsemen of the 13th century. The hat has a tall crown that provides insulation, and a wide brim that provides shade.

This image was taken near Canyon de Chelly and the beautifully beaded hatband caught my eye more than the hat itself. I was there on an Arizona Highways Photo Workshop and this hat belonged to our guide.

This little roper and his hat were taken at the annual Babbit Ranches Colt Sale held in July.

River trip hats are as unique as the individual and a lifesaving part of the needed gear, especially on summer trips through Grand Canyon.

It may be that this “hat” image lies more in the headdress genre but either way, the outfit is magnificent. This image was taken at a Dia de los Muertos celebration at the Phoenix Desert Botanical Gardens in 2019.

Following a morning at the Bolinas, CA tidepools I encountered this character in town at the local coffee shop. He said he got this leather tophat years ago at a Renaissance Fair. He added the fox tails off the back.

My mom with her basket hat at a family picnic a couple of years ago. Leave it to her sister to slam-dunk her head!

Dhaka ko Topi literately means a “headgear made of Dhaka cloth”, a fine cotton cloth once exclusively imported from Dhaka, the present-day capital of Bangladesh.

The Dhaka topi was a part of the Nepalese national dress and a symbol of Nepalese nationality. It became popular during the reign of King Mahendra, who ruled between 1955 and 1972 and made wearing a Dhaka topi mandatory for official photographs for passports and documents. Dhaka Topis are given away as gifts during festivals. They were also worn by government officials as a part of the national dress. 

During our 2018 hike to Everest Base Camp, we came across many hats like the ones above for sale and on the heads of many locals as we rose in elevation and the temperatures cooled.

When I looked up their origin all I could find was how they originated in the Andes under the name Chullo. Chullo is an Andean style of hat with earflaps, made from vicuña, alpaca, llama, or sheep’s wool. Alpaca has wool-like qualities that help to insulate its wearer from the harsh elements in the Andean Mountain region. Chullos often have ear flaps that can be tied under the chin, to further warm the wearer’s head.

Hats have been used in the Andean Mountain region by indigenous peoples for thousands of years. Wearing different types and colors has significance among certain Andean natives. According to Peruvian historian Arturo Jiménez Borja, the Chullo has its origins in the cultural exchange between Spaniards, who incorporated elements of their barrettes and the original hat of the Andeans.

I imagine all of these things are also true in the Himalayan region of Nepal and the hats are made out of Yak fur.

These hats were found in Panama City, Panama in 2017.

Although commonly called “Panama hat” in English, the hat has its origin in Ecuador. Beginning in the early to mid-1600s, hat weaving evolved as a cottage industry along the Ecuadorian coast as well as in small towns throughout the Andean mountain range. Hat weaving and wearing grew steadily in Ecuador through the 17th and 18th centuries. Straw hats woven in Ecuador, like many other 19th- and early 20th-century South American goods, were shipped first to the Isthmus of Panama before sailing for their destinations in Asia, the rest of the Americas, and Europe, subsequently acquiring a name that reflected their point of international sale—”Panama hats”—rather than their place of domestic origin.

A sombrero is a type of wide-brimmed Mexican men’s hat used to shield the face and eyes from the sun. Sombreros, like cowboy hats, were designed in response to the demands of the physical environment. The concept of a broad-brimmed hat worn by a rider on horseback can be seen as far back as the Mongolian horsemen of the 13th century and in the Greek petasos two millennia before that. The exact origin of the Mexican sombrero is unknown, but it is usually accepted that the hat originated with Mestizo cowboys in Central Mexico.
These two images were taken at a Dia de los Muertos celebration in Phoenix.

 

This was another cool hatband on a hat at the Colt Sale near Flagstaff.

On my one and only trip to Boston, I came across a vendor selling baseball caps. I was amazed at the variety of colors available!

Shoot at the Zoo with AZ Highways PhotoScapes

On March 5th this year I joined photographer Amy Horn and Arizona Highways PhotoScapes for a day of shooting at the Wildlife World Zoo in Litchfield, a town just west of Phoenix. It’s a spectacular way to wander around a relatively small zoo and practice your photographic skills. I brought with me only one camera body and lens. I shot with my Lumix DX-8 and Olympus 100-400 mm zoom lens, which equates to a 200-800. At times this was a little too much lens but 98% of the time it was perfect.

One of the skills we learned was how to shoot through a fence and make that fencing disappear. If not entirely, then at least mostly. The following images are my attempts to create such magic.

The fence in this image is so blurred it almost appears as part of the background.

This lioness was watching the day go by behind a chainlink fence.

All the animals were quite active on that day. We’re assuming due to a cool front moving through the state.

“Pumba, you ARE a pig”. The warthogs were also behind a fence. Again, the fence is so blurred it’s barely noticeable.

The following set of pictures, by contrast, were of animals NOT behind any sort of fence. Wait, let me clarify, they were behind enclosures, but I could photograph them without shooting through a fence of any kind.

This crane image was captured on the safari tram through Africa. I was able to use Lightroom to grab the background, take down the exposure to make it appear as shade, and highlight her (his?) beauty.

This little guy was on a monkey island across some water. He was going to town on a piece of tree. His little old man expressions were super cute.

Again from the Safari Tram ride, we saw this gazelle.

Zombie Flamingo Appocolypse?

Heading into Dragon World we passed the slow-moving tortoises to see some, well, dragons.

You can see the fence that this ostrich was behind. He (she?) was pretty close. Apparently, the ostrich is not the sharpest tool in the shed. They do, however, provide for some great facial expressions.

Moving on to the duck pond where there was a LOT of activity.

Egyptian Geese.

A pair of wood ducks with her in full mating regalia. I caught them just before they, well, YOU know, they tried making baby ducks. I hope they were successful.

A beautiful  Red-Crested Pochard looking for a mate.

A very colorful Mandarin Duck strutting his stuff.

There were even a couple of majestic black swans.

…and a turtle.

We were treated to a private animal showing where we could shoot first and ask questions later.

This character, a red-legged seriema, took this fake snake in its mouth, stood up as tall as he could go, and slammed the snake to the ground. So there.

We were presented with a Kookaburra bird and were able to practice the camera settings for flight.

Macaws close up are always nifty.

We then moved on to other animals. Turns out we were helping the next couple of mammals out with their “sessions”. Which apparently, means getting them ready to come out in public and not be terrified.

This little guy was a character. He’d come out, then run back. He did this quite a bit. Then one of the handlers figured out how to bring him out farther. He’s trained to do circles around their feet for a treat. So, she’d take a step as the little guy was rounding the back of her foot, and slowly, he made it out beyond the stage.

This one always makes me nervous. But he (she?) performed wonderfully. He came out in front of the stage and was quite well behaved, keeping all parts of himself…TO himself.

Following the show, we wandered off to Australia for a walk-about. We encountered a mama kangaroo whose little one had just crawled back inside the pouch. A couple of the participants had more patience than I did and waited for the baby to come back out. I can’t wait to see THOSE images!

It was cool watching them jump and use their tales for balance. They are VERY strong animals.

All-in-all it was a great day of photography and instruction. The temperatures were perfect if not a little cool at times but that meant the animals were active, which makes it more fun when you have a camera. I encourage you to join PhotoScapes next year for this workshop or if you need inspiration just get out to your local zoo and see what you can find.

Happy Shooting!

Watson Lake in Winter

Watson Lake is one of two reservoirs at the Granite Dells, in Prescott, Arizona, that was formed in the early 1900s when the Chino Valley Irrigation District built a dam on Granite Creek. The City of Prescott bought the reservoir and surrounding land in 1997 to preserve it as recreational land. Local rock climbers use the granite cliffs above and adjacent to the lake for top-roping and lead climbing. The lake is also the home of TriCity Prep Rowing Crew, a local high school team and only rowing team in Northern Arizona. Who knew?

Arizona Highways PhotoScapes runs this workshop in January in order to be able to photograph the sunrise. The park opens year-round at 7:00 am. In the summer we would miss the sunrise. And, we get the lake pretty much to ourselves in winter as most visitors take advantage of the lake in warmer months.

It’s a beautiful lake and I’ve paddled on it before. Not in the winter though so I was looking forward to hanging out in Prescott for a couple of days with our photographer Amy Horn and our amazing participants. Even though shooting landscapes isn’t my jam I did manage to find some patterns and scenes that interested and inspired me.

While everyone else was photographing the lake I turned my attention to the nearby grasses.

  Winter hours have the park closing at 6:00 pm which is plenty of time to catch the sunset without having to stay out too late.

Apparently in winter humans come to the lake regularly to feed the waterfowl that live there. This was the highlight of my shoot. It was sheer chaos with Canada Geese, swans, ducks of several sorts and American Coot vying for the feed.

This is a great lake in any season.

Happy shooting!

Wildlife World Zoo, Phoenix

If you like to shoot animals, I mean photograph them, there is a great little zoo on the west side of the Valley of the Sun (Phoenix), just off the 303, called Wildlife World Zoo. As a former first grade teacher, we took our students there every spring to see the animals they had been studying during the last quarter of school. They loved it.

In these times of COVID, it’s a great zoo for camera buffs (if you like zoos, but that’s another conversation) because the animals are quite close.

Some wander the grounds. Just kidding, the little alligator is in an enclosure.

You can buy feed and present it to the giraffes at their feeding station.

As you walk through the Down Under enclosure the kangaroos and wallabies are literally just behind a single rope fence.

There are a tram ride and a train ride that take you into enclosures. I’m not gonna lie, it’s a little Jurrasic Parkish. The animals in these enclosures could come right up to the vehicles. I’ve had the tram driver have to shoe away the ostriches before.

The big cats are in enclosures…of course.

The monkeys have various islands throughout the park.

Some very interesting reptiles…

And birds. Lots of birds. Some are free-roaming in the park or in enclosures and some are in cages.  

As a photo workshop, we had access to a private bird show which was pretty cool. Their macaw population largely comes from private owners who either got them as a pet and realized they couldn’t t or didn’t want to take care of a perpetual toddler OR the bird outlived the owner.

  The flamingo exhibit right at the front entrance provides for some great reflection images.

There is a walk-through aviary with some pretty exotic birds in it.

So regal.

Who doesn’t like a happy ostrich?

Yikes!

The ducks are free to come and go. They know when they have a good thing.

Look for this workshop with Amy Horn at Arizona Highways Photoscapes. She ran this one and it was great. It is a COVID safe one as you would drive yourself there, get excellent instruction, and be able to easily social distance. I’m not sure when it will show up again on the calendar but it is definitely one to look for.

Happy Shooting!!

Mountains and Meadows around Flagstaff, AZ

In this time of COVID and non-travel, I find comfort in going back to “the time before” and searching through my archives of past Arizona Highways Photo Workshops (later, PhotoScapes) trips. It’s been fun to look back and compare old images to now and see growth in my skills. One of the largest areas of growth for me has been organizing my photos within Lightroom. I have devised over the years a consistent work-flow that includes downloading, marking favorites, editing some of those, and assigning them a color or star rating depending on how I think I’ll use them. And finally, adding keywords so I can find the images when needed. Apparently, as I’m noticing as I go through the archives, I didn’t do a lot of that early in my career as a trip leader (later, photoguide) with Highways.

My third workshop ended up being in my hometown of Flagstaff, with Shane McDermott, called Mountains and Meadows. That’s exactly what we shot, mountains and meadows…and sunflowers, lots of sunflowers. August is sunflower season in Flag and we took full advantage of it.

Home base was a local hotel in town. I was new and didn’t realize I could probably have stayed at home, in my own bed, and joined the group each morning but hindsight is 20/20 and I stayed at the hotel. That was weird. I felt like I was in another town besides Flagstaff. It was a self-driving workshop with carpooling highly recommended. Our first shoot on Friday found us in Government  Prairie, west of town off Interstate 40 for sunset.

The prairie was wide open with great views of the San Francisco Peaks. I found our participants to be more interesting.

What’s great about our participants is that sometimes they become Arizona Highways PhotoScapes Volunteers! Like Dianne here. I forgot all about meeting her on this trip until I dug out this image!

Saturday morning came early. We headed out to Sunset Crater National Monument East of Flagstaff to shoot…sun RISE! at 4:30 a.m. Shane does things a little differently and began the shoot with some morning sunrise yoga stretches. After that, we headed out to shoot some sunflowers.

Don’t forget to shoot all sides of your subject. You may surprise yourself with what you find!

The Sunset Crater area is known for its fields of yellow in August. The red shirt on this participant made for great contrast.

With so much yellow I decided it would be cool to try it in black and white. I was happy with the results. I’ve since gotten into the habit of trying black and white on images whose color or lighting I can’t get quite right.

Saturday wound up being a big day for shooting. On the way to our afternoon location, we stopped at the popular sunflower field near Schultz Pass Road along Highway 180 heading to Snow Bowl. The field did not disappoint.

I decided to put the mailboxes in the foreground and really liked the outcome.

We ran into an artist doing an “open-air” painting of the same view. I could have photographed her all afternoon.

We then headed up Snow Bowl Road and stopped at Aspen Corner for a short hike to a wildlife water tank and amazing views of the Peaks.

The mountain had wildflowers and wonderful views in all directions.

It proved to be a great location for sunset as well.

I shot the above image then turned the lens to my left to capture our crew photographing the same scene.

The final shoot on Sunday found us at The Nature Conservancy out Forest Road 151. There were old cabins and full views of the mountains. I was drawn to the details around the cabins.

One of the greatest experiences of these workshops is attending a critique session of our photographs and seeing all of the different images captured by all the different people and their different visions of the same subjects. It does wonders to spark creativity and open up your eyes to see things in a different way.

By mid-afternoon Sunday the workshop drew to a close. I was happy with what I had learned and inspired by the people I had learned it from. I found myself looking forward, with great anticipation, to whatever and whoever the next workshop brings.

Join me next week for a one-day workshop in Tucson at the Sonoran Desert Museum.

Happy Shooting!!

Slot Canyons and the Colorado Plateau

Like many people around the world the current pandemic crisis has found me out of work, home…a LOT, and with an obscene amount of time on my hands. This experience has certainly been a double-edged sword. Though I miss working ane earning money to pay off the house, the extra time at home has been a blessing. I have gone for long bike rides, began playing my guitar again, and have taken on some photo projects that require home time.

I’m fortunate to be quarantined with my wife so I have a playmate for long walks, house projects, and the like. However, as much as I love her, I MISS BEING AROUND MY FRIENDS AND FAMILY!! I volunteer as a photoguide with Arizona Highways PhotoScapes, an amazing organization that runs photography workshops here in Arizona but also around the United States and world. Due to the pandemic, all of those plans and workshops have come to a screeching halt. But I had an idea. My next photo project will be to revisit all of the non-classroom workshops I’ve volunteered on since 2014 when I started.

Perhaps these trips back to “The Time Before” will inspire you to get out and shoot in your yard, neighborhood, or local park. Perhaps they will encourage you to contact PhotoScapes and look into joining us on a photo adventure. Or perhaps you’ll just sit back and look at the pretty pictures. 😉

Here is one thing for sure: I miss the people, both fellow guides AND participants FAR more than I miss traveling. We attract some pretty amazing folks. Enjoy.

My first “overnight” workshop was in Northern Arizona. We stayed at a hotel in Page, near Lake Powell in April, and explored the area for five days. The workshop began at 7:30 am in a hotel lobby in Phoenix.  There, the other photo guide Sara and the photographer/instructor, Suzanne Mathia, met and gathered our crew into vans and drove them north. They picked me up in Kachina Village, just south of Flagstaff, where we continued to the Cameron Trading Post for lunch before arriving in Page. I was nervous and excited all at the same time. I had done two one-day classroom-based workshops already, one with this instructor so we had already met. But five days was a different beast altogether.

Becoming friends with the trip leaders and photographers is a BIG bonus. As leaders we get to see each other at a monthly meeting in Phoenix.

We arrived in Page on Monday, did a meet and greet/orientation, and headed off to our first shoot, Stud Horse Point.

If you look close you can almost see Lake Powell in the upper right-hand corner below the cliffs.

I like to have people in my landscape images to show perspective.

Check out that GLOW!

The shooting schedule for these workshops can be grueling.  It is said that you only get one sunrise and one sunset per day and that a good photographer doesn’t waste either. Trust me, Highways does NOT waste that time! The middle of the day is usually in image processing, classroom instruction, and/or photo critiques. But on this workshop we added third shoot…slot canyons!

Tuesday we were up early and headed out to the iconic Horseshoe Bend.

The rim doesn’t look like this anymore. Now one has to pay to park, follow a path to a railed in area and do this with hundreds of tourists.

Here is the iconic view. A big bend in the Colorado River between Glenn Canyon Dam and Lee’s Ferry.

A fishing boat heads upriver. This area is world-famous with the anglers fishing for trout.

Mid-day we hit our first slot canyon, Secret Canyon, on the Navajo Indian Reservation. It’s on private land which means with our tour we had the place to ourselves.

One could enter these canyons a thousand times and always see something different.

The evening shoot found us at Toadstools, a hoodoo rich environment off Highway 89 toward Kanab.

The challenge is to wander around, looking for your shot while NOT getting in the way of the other photographers. This respect and awareness of self can be where lasting friendships are made.

Wednesday morning found us at a local place called the Teepees at the “little cut” along Highway 89 south of Page. There are two big “cuts” in the road that allow you to get to the plateau following the climb from the valley floor, along 89, heading to Page. Both are simply called the Big Cut and…little cut. One we get into position and find our composition it’s just a matter of waiting for that glorious morning light.

The landscapes are stunning in this part of the world.

Suzanne is helping some participants with settings and composition.

There is a lot of milling around, shooting this and that as we wait for the morning sun to shine. And shine she does. The colors are spectacular and the light fleeting so we were clicking away.

Our mid-day shoot was the iconic Upper Antelope Canyon. That shoot was crazy. Because of the flat walking surface from end to end there were a LOT more people in it than it’s sister, Lower Antelope Canyon a few miles away on the other side of Highway 98.

Everyone was wanting a shot of the sunray. If you put the groups on one side you could get the shot. It’s amazing to look at a serene slot canyon image and not realize this amount of humans were just out of the frame.

We had walked through Upper Antelope and survived. After a short break we headed back in and headed back to the opening to catch our ride back to the highway.

For the evening shoot we went to a very cool place known as The Fins. It’s a great location in afternoon light and is in Waterholes Canyon. This area is also private property so we had to be let in behind a gate and walk a little way. SO beautiful.

Turns out this guy and I attended the same high school in Phoenix at the same time! Small World.

Thursday was an easy morning which is great because by now folks are waking up tired, me included. We drove toward Wahweap Marina and stopped along the way to photograph the lake near the dam.

We were thrilled when a boat motored along to give us something interesting in the water.

Mid-day we loaded our vans and headed to the most beautiful slot canyon yet, Lower Antelope. We had a photography tour which meant we got to spend more time than a regular tour and bring tripods, an essential tool for low light conditions.

The colors and hues in this canyon are nothing short of spectacular.

 

We didn’t have an evening shoot, per se, Thursday evening. Instead, our farewell dinner was a sunset dinner cruise on Lake Powell. One was welcome to bring their camera, in looking back in my archives, I, apparently, chose not to.

The next morning, Friday, was a big day. We woke up early, went out to Big Water, Utah, found Highway 12, a dirt road that runs through Southern Utah, and photographed the area.

It is amazing how such beautiful flowers can grow in such dry conditions

Again with the humans showing perspective.

Our esteemed photographer and fellow photo guide surveying the scene.

We then went back to the hotel, ate, packed, loaded the vans, and drove to Lee’s Ferry. This is a location I’m familiar with as it is the launching point for Colorado River Trips. Saying I love this area is an understatement.

This is the view from Navajo Bridge looking upstream toward Lee’s Ferry. Check out the silt!

One of the many stone buildings in the area from back in the day when the ferry was in operation.

Here are my take-aways from the workshop. 1). Although I had spent a LOT of time in the Page area it was either at friend’s homes or canoe camping on the lake. Every single shooting location was new to me (except the Ferry). 2). I met some amazing people. 3). What could be better than meeting new and interesting people mixed with travel and photography! 4). I have a lot to learn.

Join me next week when I go on my first Women’s Photography Retreat!

Happy shooting and stay healthy and safe out there!

Single Lens Challenge

Recently my friend and fellow photographer, Amy Horn, and I set off on another downtown challenge. This time, it was in our hometown of Flagstaff, and to bring only one lens. Also, we didn’t compare this time so these are all my images.

But let’s be clear, I’m a minimalist and shoot with one lens ALL the time. It’s annoying to me and a big waste of time to be constantly rummaging around in my camera bag for “the perfect lens for the perfect shot”. I like to shoot and keep moving. Shoot what inspires me at the moment. Photograph things that people make comments like: “Cool, where was that?” or “Nice, I didn’t see that”. I have a favorite lens, my 14-150mm, which equates to a 28-300mm, as my go-to, all-purpose, only lens I take on overseas adventures, lens. This is not that lens.

I only have four lenses. The above-mentioned favorite is my “long lens”. I also have a lightweight, fits in my front pants pocket, 60mm macro lens which I literally NEVER use, a 35-100mm (70-200mm equivalent) “portrait” lens which I mostly use for…portraits, AND an ultrawide, a 7-14mm (14-28mm equivalent) which I used for this shoot. I have a twin Black Rapid harness that I hang my ultra-wide and long lens off of when I shoot events or volunteer Photo Guide for Arizona Highways PhotoScapes workshops. That way I feel prepared to shoot any event thrown at me.

So again, Amy and I donned our Pandemic Masks and headed downtown from her house with a single camera and lens. Here’s what I captured.

I tend to shoot details. The thing about a UW lens is that it extends, not compresses, the image. Here’s a sticker laden trash can along San Francisco street showing an empty street and sidewalk at 9:45 in the morning. Good job quarantining, Flagstaff!!

Here are a couple more examples of having a strong foreground but also an in-focus background. Long lenses tend to blur backgrounds depending on the f-stop you have set.

You definitely have to shoot things close to the lens. Things you can walk up to as you don’t have the “reach” of a long lens.

Who doesn’t love a good repeating pattern? With a short lens, it’s easier to get the whole image in focus.

A longer lens has a shallower depth of field

I was only able to capture this Flamingo Snake…? with my UW lens as two cars were parked right in front of it. Had I been using my long lens I would have needed to back way up to get it all in the field of view and it would have had the two cars in the image. Yay for ultra wides!!

The following three images could have just as easily been photographed with a longer lens.

A mural in an alley.

The floor outside a set of apartments on the Southside.

The same alley, where mural meets the window.

Doors present their own special problem with a UW lens. Shooting them was easy enough but the distortion that comes along with a wide-angle lens often means that in post-processing either the top or bottom of the image is narrower. Luckily this can be fixed in Lightroom under the Transform tab in the Develop module. The Vertical tab evens it out pretty well.

This image is shot with the UW allows for less blur of the background.

This lens also allowed me to capture an entire side of an old hotel by just standing on the opposite sidewalk. You can see the distortion, though. I straightened the roof of the building in Lightroom but the lower light line on the building that goes through the trees is off-kilter.

I just liked this shot.

If you got out shooting, do it safely. Wear a mask, keep your distance and bring hand sanitizer in case you have to touch a crosswalk button! Stay safe out there! And hopefully, in the not too distant future, we’ll see each other again on an Arizona PhotoScapes workshop!

Happy shooting!

Same Location, Different Visions

At the end of April, my friend and fellow photographer Amy Horn and I grabbed our cameras, donned masks,  and drove separately 30 minutes west of Flagstaff to photograph downtown, Williams. It was a great time to shoot as the town was largely closed down and the throngs of tourists were safely staying at home. All of the Route 66 signs and buildings were still there.

We played a game we had done once before in Jerome, Arizona. We walked the same street, shot some of the same scenes that caught our eye, and compared notes. It is truly remarkable how different a location looks through a different lens. Of course, this was all accomplished while staying six feet apart.

I’m going to share some of the images we took on that day.

Olympus OMD1 Mark III, 1/640, f/7.1, ISO 200

On the way into town, we came across an abandoned building. We were both struck by the colorful tulips. In one direction was a great old abandoned building. In the other a great old abandoned house.

Below are the windows from the street side of the old house.

Olympus OMD1 Mark III, 1/2500, f/4, ISO 200

 

Olympus OMD1 Mark III, 1/500, f/4, ISO 200

The abandoned building had some great textures and colors in the wood siding that we were both drawn to.

 

Williams has a main street that is all about Route 66, the Mother Road. Many of the signs and buildings here date back to the 1950s.

 

Olympus OMD1 Mark III, 1/320, f/5.6, ISO 200

From here, our interests shifted. I love repeating patterns, Amy found a great storefront window.

Olympus OMD1 Mark III, 1/200, f/5.6, ISO 200

And that was our Pandemic photoshoot in Williams. Stay safe out there, wear masks when around people,  keep that six-foot distance, and hopefully in the not too distant future Amy and I will see you on an Arizona Highways PhotoScapes workshop!

Happy shooting and stay safe out there!!

P.S. – Amy shot with the Olympus (as marked). I shot with the Lumix GX-8, 28-150mm lens.

 

Birds at the Zoo

In my third “Where to Shoot Birds” set of blogs we’ll go to some zoos. Zoos are a great place to be exposed to exotic birds you might not normally see in the wild unless you are very dedicated to capturing wild birds on camera. I’m not. I’m good with going to a zoo.

This owl was captured at Bearizona in Williams, AZ during a Birds of Prey show.

Lumix DMC-GX8, ISO 800, Olympus 14-150 mm F4-5.6 at 135 mm, 1/320 of a second at F/8, handheld

I caught this handsome fella wandering around Wildlife Word Zoo in Litchfield Park, AZ.

Canon PowerShot S120, ISO 400, 5.2-26 mm at 13.7 mm, 1/640 of a second at F/5.6, handheld

The rest of these images, in fact, were taken at the Litchfield Zoo. I spend a lot of time there. Every year, for ten years, as a first-grade teacher, we took our classes to Phoenix in the spring as a culmination of our big fourth quarter animals unit. The kids loved it and I got to shoot!! As an end of the year gathering I’d show a slideshow of the kids and the animals…they LOVED it.

They rescue a lot of parrots. People get them as pets and don’t realize the commitment so they bring them here. Or, the zookeeper shared, often times a parrot will outlive its owner and will need to be brought here as an orphan. The zookeeper equated have a parrot to having a two-year-old toddler in the house…for fifty to a hundred years. Let THAT sink in.

Canon EOS 7D, ISO 400, Canon 100-400 mm 1/800 of a second at F/5.6, handheld

As you enter the front gates and veer left the first exhibit you’ll see are the flamingoes. If you didn’t have 100 first graders clamoring to move on one could spend a LOT of time watching them and shooting the different patterns, designs, colors and reflections of these beautiful birds.

Canon EOS 7D, ISO 400, 100-400 mm lens at 375mm, 1/800 of a second at f/10, handheld

Throughout the park are ducks, swans and geese. I found these ducks at the far end of the park helping each other out.

Canon EOS 7D, ISO 400, 100-400 mm lens at 285mm, 1/800 of a second at f/5.6, handheld

It’s October 31st…need I say more?

Canon EOS 7D, ISO 400, 100-400 mm lens at 400mm, 1/800 of a second at f/5.6, handheld

I love these cranes! They are in the relatively new African Safari section. These guys, in particular, were seen on a little trolly ride you can take through sections of this area. I love the backlight on his crown.

Canon EOS 7D, ISO 400, 100-400 mm lens at 250mm, 1/800 of a second at f/5.6, handheld

The ostriches were also on the trolly ride and I discovered they can be quite curious. This one got all up in my grill and actually tapped my lens. The driver had to shoo them off with a rake.

Canon EOS 7D, ISO 400, 100-400 mm lens at 100mm, 1/800 of a second at f/7.1, handheld

The color and size of this bill was remarkable so I SHOT it! He must have tremendous neck muscles.

Canon EOS 7D, ISO 400, 100-400 mm lens at 210mm, 1/800 of a second at f/7.1, handheld

A flamingo close-up. What interesting eyes…

Canon EOS 7D, ISO 400, 100-400 mm lens at 400mm, 1/800 of a second at f/22, handheld

I like the pattern and color of the water here as much if not more than I do the actual bird.

Canon EOS 7D, ISO 400, 100-400 mm lens at 400mm, 1/800 of a second at f/5.6, handheld

An action shot!! You gotta be quick!

Canon EOS 7D, ISO 400, 100-400 mm lens at 105mm, 1/800 of a second at f/4.5, handheld

Interesting looking bird walking the plank.

Canon EOS 7D, ISO 800, 100-400 mm lens at 250mm, 1/500 of a second at f/14, handheld

Take your camera to the zoo and see what you can find! Birds are fun to shoot because you tend to not have bars and cages between you and them.

Happy shooting!

Birds at the Lake

In our second installment of “Where to shoot Birds” we’ll visit various lakes in the Flagstaff area…ish.

My wife, Ellen, and I like to paddle in the warmer months. We have a canoe, kayaks and SUPs. I find the stand-up paddleboard to be the most difficult water vehicle to shoot from, probably because I am, well, standing. The other two are the easiest as the ammo can is right in front of me.

Shooting from the lake on a boat is cool but don’t forget the action that happens on land or from the shore at a lake either.

Canon EOS 7D, 28-135 at 115 mm, ISO 100, 1/320 of a second at F/9, handheld from shore      One of my favorite pictures of all time, the Lake Powell Inspection Committee. I can’t remember if we were coming or going so the boat was either ready to fill or had just been emptied when these clowns showed up. They were quite interested in this strange vessel that had landed on their shores. I fired off several shots in burst mode and this is my favorite as it has all of their heads looking in the same direction. A classic. 
Canon PowerShot Elph, 13 mm, ISO 400, 1/640 of a second at F/5, handheld from a kayak        This crew was found anchoring a rock and keeping watch over the waters of Watson Lake near Prescott, AZ. I love how everything is gray except for their beaks and duck feet. 
Canon EOS 7D, 70-300 at 140 mm, ISO 400, 1/1000 of a second at F/5, handheld from shore    I went to Encanto Park one day on a quick trip to Phoenix. I found a goose who was diving for food so I aimed at fired off several images in burst mode. This one came out cool with how perfectly round the hole around his (or her) neck is and how its head just disappears. 
Lumix DMC-GX8, Olympus 14-150 mm at 135 mm, ISO 400, 1/250 of a second at F/8    This goose was floating around the boat ramp at Watson Lake. I was struck by its blue eyes. 
Canon EOS 7D, 70-300 at 400 mm, ISO 400, 1/2500 of a second at F/5                             These two were also found at Watson Lake jockeying for position to get fed by the park worker. 
Canon EOS 7D, 70-300 at 400 mm, ISO 400, 1/1600 of a second at F/5                             Again at Encanto Park, this Canada Goose was taking one giant leap for bird kind!
Canon EOS 7D, 100-400 at 250 mm, ISO 320, 1/800 of a second at F/5, handheld from shore  There’s a pond where I live in Kachina Village out by the interstate. One summer I found this Mama Coot feeding her little one a yummy flying insect. 
Canon EOS 7D, 28-135 at 135 mm, ISO 100, 1/500 of a second at F/8, handheld from a kayak  I found this guy taking off at Watson Lake. Great Blue Heron are such beautiful birds. Quite often they will escort us down river when we float the local Verde River near Camp Verde, AZ.

Another one from Watson Lake. I love silhouettes.

And finally, a solo Canada Goose flying off into the sunset. Okay, it was probably mid-day, no sunset. This is the only one of this series that turned out clear. Shooting flying birds can be tricky.  It’s a good thing pixels are free.

So there you go, take your camera to a lake. You don’t need a boat, there is plenty to shoot from shore. If nothing else it’s a beautiful place to practice your skills and get to know your camera.

Happy Shooting!